Georgina Born

Publications: Edited Books

Music, Sound and Space: Transformations of Public and Private Experience. Cambridge: Cambridge University Press, 2013.

Interdisciplinarity: Reconfigurations of the Social and Natural Sciences. London: Routledge, 2013. With Andrew Barry.

Publications: Articles

'On the ethnography of media production: An interview with Georgina Born' (interview by P. Szczepanik), Illuminace: Journal of Film Theory, History and Aesthetics, v. 25, n. 3, pp. 99-119.

'Music and the Materialization of Identities'. Journal of Material Culture 16/4 (2011): 376-388.

'For a Relational Musicology: Music and Interdisciplinarity, Beyond the Practice Turn'. Journal of the Royal Musical Association 135/2 (2010): 205-243.

'The Social and the Aesthetic: For a Post-Bourdieian Theory of Cultural Production'. Cultural Sociology 4/2 (2010): 171-208.

Publications: Chapters

'Music: Ontology, Agency and Creativity'. In Distributed Objects: Meaning and Matter after Alfred Gell, ed. Liana Chua and Mark Elliott. Oxford: Berg 2013.

'Social Forms and Relational Ontologies in Digital Music'. In Bodily Expression in Electronic Music: Perspectives on Reclaiming Performativity, ed. Deniz Peters et al. London: Routledge, 2012.

'Music and the Social'. In The Cultural Study of Music: A Critical Introduction (2nd ed), ed. Martin Clayton et al. London: Routledge, 2012.

'On Tardean Relations: Temporality and Ethnography'. In The Social After Gabriel Tarde: Debates and Assessments, ed. Matei Candea. London: Routledge, 2012.

Conference Presentations and Keynote Lectures

Keynote, King's College, Cambridge: 'Creative Labour(er): Anthropological Perspectives of the work of art' conference (June 2015)

Keynote, British Academy Radcliffe-Brown Lecture in Social Anthropology (May 2015).

Invited public lecture, Whitney Humanities Institute and Department of Music. Yale University (April 2015).

Keynote, Columbia University, 50^th Anniversary of Current Musicology conference (March 2015).

Keynote, New York University, Society for Ethnomusicology Mid Atlantic Section, annual conference (March 2015).

Opening keynote, Jawaharlal Nehru University, New Delhi, Conference on Music and Technology, Faculty of Humanities (January 2015).

Plenary paper, CRASSH, University of Cambridge: 'The Politics of Framing and Staging: Performance as Paradigm' conference (December 2014).

Keynote, McGill University, 'Sound, Vision, Action' conference (November 2014).

Keynote, 'Cultural Im/materialities' conference and summer school, Aarhus University and Warwick University (June 2014).

Opening keynote, European Sound Studies Association, 2^nd annual conference (June 2014).

Keynote, Society for Electro-Acoustic Music in the US, annual conference, Wesleyan University (March 2014).

The Bloch Lectures, University of California, Berkeley, Department of Music (5 keynote lectures) (Feb-Mar, Oct-Nov 2014).

Paper, 'Desert Island Discs and the Discographic Self', international conference, British Academy, London (November 2013).

Keynote, First International European Sound Studies Association conference, Humboldt University, Berlin (October 2013).

Keynote, Canadian Association of Fine Arts Deans, Annual Conference, Concordia University, Montréal (October 2013).

Paper, 'Time Forms' conference, jointly organized by Faculty of Music, Center for Interdisciplinary Research in Music, Media and Technology, McGill University, and Hexagram, Concordia University, Montréal (September 2013).

Keynote, Royal Musical Association Music and Philosophy Study Group, annual Conference, King's College London (July 2013).

Keynote, International Association of Media and Communications Research and Institute for Communication Studies, Leeds University (June 2013).

Keynote, European Network for Cinema and Media Studies, Annual Conference, Charles University, Prague (June 2013).

Keynote, American Musicological Society/Society for Ethnomusicology/Society for Music Theory: joint Conference, joint Societies' panel devoted to discussion of Born's work: 'Envisioning a Relational Musicology: A Dialogue with Georgina Born', New Orleans (November 2012).

Plenary, Conference on Comparison in Qualitative Social Research, Goldsmiths College, London (September 2012).

Plenary, 'Perspectives on Musical Improvisation', University of Oxford (September 2012).

Plenary, conference on the Anthropology of Expertise, University of Göttingen (June 2012).

Plenary, 'Comprovisation: Improvisation and Technology in the Performing Arts', Concordia University, Montréal (May 2012).

Paper, 'Ethnographic Conceptualism' conference, Department of Social Anthropology, University of Cambridge (May 2012).

Plenary, Mellon Seminar on Human Creativity, University of Oxford (December 2011).

Paper, 'Ethnographic conceptualism' session, American Anthropological Association annual conference, Montréal (November 2011).

Paper, 'Digital art musics in the UK: institutional and aesthetic change', Culture, Creativity and Urban Space, Institute for the Study of Canada, McGill University (September 2011).

Keynote, 'The Arts and Humanities: Endangered Species?' CRASSH, University of Cambridge (June 2011).

Keynote, International Communications Association, Annual Conference, Media Aesthetics Pre-Conference, Boston (May 2011).

Keynote, British Forum for Ethnomusicology, Annual Conference, Exeter University (April 2011).

Keynote, international conference, 'The Ghost in the Machine: Technologies, Performance, Publics', Institute for the Public Life of Art and Ideas, McGill University (February 2011).

Plenary, British Academy, international conference on 'Music and Communism outside the Communist Bloc after 1945' (January 2011).

Keynote, Two Thousand + Ten Symposium, 'Technology and Musical Improvisation', Queen's University Belfast (November 2010).

Plenary, 'Materialising Identities' conference, Department of Anthropology, UCL (November 2010).

Plenary, International Symposium on 'Contemporary Soundscapes', Universities of Oslo, Bergen and Liverpool (October 2010).

Plenary, 'New Ontologies' conference, Interdisciplinary Institute, Exeter University (October 2010).

Invited Lectures and Seminars

New School for Social Research, New York, Music Departments: research seminar (March 2015).

L'Ecole des Hautes Etudes en Sciences Sociales, Music and Social Science Seminar: research seminar (March 2015).

Institute for Musical Research, School of Advanced Study, University of London: Boulez at 90, study day: paper (March 2015).

Department of Music, University of Oslo: research seminar (August 2014 ).

Harvard University, Department of Music, the Barwick Colloquium: paper (March 2014).

Concordia University, Hexagram Institute: research seminar (Oct 2013).

Institute of Musical Research, University of London, Directions Seminar: research seminar (April 2013).

Queen's University Belfast, Sonic Arts Research Centre: research seminar (March 2012).

'Theorising invention', Concordia University, Montréal: research seminar (February 2011).