Christopher Haworth

Publications: Articles

"Sound Synthesis Procedures as Texts: An Ontological Politics in Electroacoustic Music", Computer Music Journal, MIT Press, 39:1 (Forthcoming: Spring 2015).

Publications: Chapters

"Xenakian Sound Synthesis: Its Aesthetics and Influence on 'Extreme Computer Music'" In: Resonances: Noise and Contemporary Music, New York: Bloomsbury Academic Press, 2013, 183-197. (ISBN 978-1-4411-5937-3).

Publications: Reviews

"Douglas Kahn, Earth Sound Earth Signal: Energies and Earth Magnitude in the Arts," in Organised Sound, 20(1), April 2015.

Conference Presentations and Keynote Lectures

"Sound Synthesis Procedures as 'Texts': A New Virtuosity in Computer Music", Music and Philosophy Study Group, Conference of the American Musicological Society, Milwaukee, 6-11 November 2014.

"Between Critical Concept and Genre: Non-Cochlear Sonic Art" At Music and Genre: New Directions, McGill University. Organised by David Brackett and Georgina Born. Sept 28, 2014.

"Ecosystem Or Technical System? Technologically-mediated Performance and the Music of The Hub" Electroacoustic Music Beyond Concert Performance, Electroacoustic Music Studies Conference, Universität der Künste Berlin, Forthcoming: 10-14 June 2014.

"Music Listening and Autobiographical Memory in Thomas Bernard's Correction" at Sound and Affect: Voice, Music and World. Stonybrook University, April 18-19 2014.

"Curatorial Sound Synthesis: A 'Minor' Sound Praxis in Recent Computer Music" at Music, Digitisation, Mediation: Towards Interdisciplinary Music Studies, Oxford University, 11-13 July 2013.

Invited Lectures and Seminars

"Ear as Instrument: Sound at the Limits of Audition" CIRMMT seminar series, McGill University. March 2013.