Andrew J. Eisenberg
Publications: Articles
'Hip-Hop and Cultural Citizenship on Kenya's "Swahili Coast"'. Africa 82/4 (2012): 556-578.
Publications: Chapters
Publications: Reviews
2014. 'Kenya: The Obokano Lyre of the Gusii' [Recording Review], Yearbook for Traditional Music.
2013. 'The Singing Wells Project' [website review]. World of Music 2/1 (2013).
Conference Presentations and Keynote Lectures
'Digital Technologies, Intellectual Property Reform and Ontological Politics in the Kenyan Recording Industry'. Oxford Intellectual Property Institute, University of Oxford (7 February 2013).
'Digital Audio, Aesthetics, and Power in Kenya's Transnationally Patronized Popular Music'. American Anthropological Association, San Francisco (17 November 2012).
'The Morass of Musical Property Rights in the "Silicon Savannah": Digital Music Capitalism and Ontological Politics in Kenya'. Society for Ethnomusicology, New Orleans (4 November 2012).
'The Kenyan Music Industry in the Digital Age: Preliminary Notes and Findings from Ongoing Research in Nairobi'. Popular Expression in the 'Silicon Savanna': Perspectives on the Digitization of Art and Life in Kenya, Nairobi (10 July 2012).
'M-Commerce and the (Re)Making of the Music Industry in Kenya: Preliminary Notes and Findings'. Association for Social Anthropology, New Delhi (5 April 2012).
Other
Forthcoming. "Fifty Years of Kenyan Taarab," in Retracing Kenyan Popular Music: Kenya at 50. (Ketebul Music, Nairobi).